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By Viviane Mahieux

An unstructured style that blends excessive aesthetic criteria with nonfiction observation, the journalistic crónica, or chronicle, has performed an important function in Latin American city lifestyles because the 19th century. Drawing on wide archival study, Viviane Mahieux grants new testimony on how chroniclers engaged with modernity in Mexico urban, Buenos Aires, and São Paulo throughout the Twenties and Nineteen Thirties, a time whilst avant-garde hobbies remodeled writers' and readers' conceptions of literature. city Chroniclers in sleek Latin the US: The Shared Intimacy of way of life examines the paintings of notable raconteurs Salvador Novo, dice Bonifant, Roberto Arlt, Alfonsina Storni, and Mário de Andrade, restoring the unique newspaper contexts within which their articles first emerged.

Each of those writers guided their readers via a always altering cityscape and recommended them on issues of cultural style, utilizing their ties to journalism and their participation in city perform to proportion obtainable knowledge and identify their function as highbrow arbiters. The intimate ties they constructed with their viewers fostered a permeable inspiration of literature that may pave the way in which for brazenly politically engaged chroniclers of the Sixties and Seventies. supplying comparative research in addition to mirrored image at the evolution of this crucial style, city Chroniclers in glossy Latin the United States is the 1st systematic research of the Latin American writers who cast a brand new studying public within the early 20th century.

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Additional info for Urban Chroniclers in Modern Latin America: The Shared Intimacy of Everyday Life (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

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6 An in-depth reflection would lie beyond the scope of this book, but a few points should be addressed here. indd 15 9/16/11 3:03:36 PM Urban Chroniclers in Modern Latin America | 16 changes that accompanied modernity provoked in them a deep malaise. 7 In the particular case of the modernistas, this unease reflected that modernity was an ambitious project more than an attainable reality, and that it often heightened existing inequalities not only within Latin America but also between Latin America and metropolitan centers such as Paris and New York.

New technologies responded to the city’s expansion. 10 As a result of the country’s solid economic growth, more people began to participate in diverse aspects of the urban economy. New restaurants and cafés were opening, as were theaters, cabarets, and cinemas. Leisure sports, such as soccer, boxing, and golf, were also becoming increasingly fashionable among a population interested in keeping up with European and North American trends. Another sign of change in Buenos Aires came with the multiplication of newspapers and magazines published on a broad scale.

He or she must be willing to comment on the unexpected with originality and speed. This vulnerability extends to the contested space of the chronicle in cultural production. As Brazilian critic Antonio Cândido has noted, the chronicle “fica perto de nos”; it remains close to us, its readers (A crônica, 13). Near the streets and daily life, the chronicle remains open to philosophical and political discourses, serving as a liaison between erudite ideas and a diverse public when it isn’t simply aiming to amuse.

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