By Toby Wilsher
"In The masks instruction manual: a pragmatic advisor, Europe's major masks director and co-founder of the Trestle Theatre corporation units out to demystify the method of utilizing mask. In an age of bland realism on tv and technological extra in movie, mask manage to really play the elemental video game of theatre - the suspension of disbelief. They ask the viewers to take part within the theatrical technique within the way young ones do, with a wish to think within the uncomplicated transformation of actor into personality, and to attach their imaginations to these of the actors."--BOOK JACKET. Read more...
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Additional info for The mask handbook : a practical guide
18 WHERE DO OUR MASKS COME FROM? South America have led to a clearer understanding of the role of the mask, in particular in the Aztec and Inca cultures. Many of these ancient masquerades, depicting spirits, elements, animals, have been adopted or subsumed by the imposed Christian beliefs of the conquering Spanish conquistadores of the sixteenth century. The Christian Devil is a mask often seen at South American festivals. The African continent is home to a myriad of tribes and cultures, with as many masking traditions as there are languages.
For example, show them a grumpy mask. Ask them to cross the room as that character, pulling that face. Halfway across they ﬁnd a £50 note. How can they show their elation physically without changing the face, and keeping in character? Happy masks step in puddles, angry masks ﬁnd dead pets etc. This starts them thinking about countermask. EXERCISE: CENTRES OF PERSONALITY A fun character exercise. Imagine that the centre of your personality is located in a different part of the body. How does this affect your speed and rhythm of movement?
The impro should build in terms of tension and silliness. ’ ‘Yes, and . ’ etc. It’s about accepting what other people give you, and developing it – a principal impro skill. EXERCISE: PRESENTS Start by giving a partner an imaginary box, of any size. Don’t say what is in it – because you don’t know. Let the person unwrap and say what it is – ‘Wow, thank you, a model of the Eiffel Tower’. Discuss the present brieﬂy, then let the other person respond by giving you a present. Then open it and say what it is etc.