By Keith Wilhite, Eduardo Barros Grela, Jason Buchanan, Michael Devine
Charting the intersection of aesthetic illustration and the fabric stipulations of city house, town in view that Sept. 11 posits that the modern city presents an important context for reassessing theoretical issues on the topic of narrative, identification, domestic, and private precarity. within the years because the September eleven assaults, writers and filmmakers have explored city areas as contested sites—shaped by means of the present discourses of neoliberalism, place of origin safeguard, and the struggle on terror, but additionally haunted via a scarcity within the panorama that registers loss and prefigures destiny threat. In works of literature, movie, and tv, town emerges as a paradoxical area of permanence and vulnerability and a convergence element for anxieties approximately globalization, structural inequality, and apocalyptic violence.
Building on prior scholarship addressing trauma and the spectacle of terror, the individuals additionally draw upon works of philosophy, city stories, and postmodern geography to theorize how literary and visible representations divulge the chronic conflicts that come up as towns rebuild within the shadow of earlier ruins. Their essays increase new strains of argument that make clear art’s position in modern debates approximately spatial practices, gentrification, cosmopolitanism, reminiscence and heritage, nostalgia, the uncanny and the abject, postmodern virtuality, the politics of realism, and the commercial and social lifetime of towns.
The e-book deals clean readings of universal post-9/11 novels, reminiscent of Jonathan Safran Foer’s tremendous Loud & enormously shut, however it additionally considers works by way of Teju Cole, Joseph O’Neill, Silver Krieger, Colum McCann, Ronald Sukenick, Jonathan Lethem, Thomas Pynchon, Colson Whitehead, Paul Auster, William Gibson, Amitav Ghosh, and Katherine Boo. moreover, town in view that Sep 11 comprises essays at the motion pictures young ones of fellows, Hugo, and the difference of tremendous Loud & particularly shut, chapters at the tv sequence The Bridge, The Killing, and The twine, and an research of Michael Arad’s Reflecting Absence and the Sept. 11 Memorial.
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Charting the intersection of aesthetic illustration and the cloth stipulations of city house, the town due to the fact 11th of September posits that the modern city offers an important context for reassessing theoretical matters regarding narrative, id, domestic, and private precarity. within the years because the September eleven assaults, writers and filmmakers have explored city areas as contested sites—shaped via the present discourses of neoliberalism, place of origin defense, and the struggle on terror, but additionally haunted via a scarcity within the panorama that registers loss and prefigures destiny threat.
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Extra info for The City Since 9/11: Literature, Film, Television
Looking for his lost past than it holds for Oskar, who discovers the street and many other places for the first time. Confronting the city, Oskar’s grandfather acknowledges the presence of various absences in his life. He has to cope with memories of places that no longer exist. For Oskar, many places mean something because his father referred to them in some way: “As we drove, I imagined we were standing still and the world was coming toward us. . ” 18 Oskar allows the city, with all its buildings and places that will always carry traces of his father, to approach him.
Twenty Minutes in Manhattan. 1st American ed. New York: North Point Press, 2013. Spiegelman, Art. In the Shadow of No Towers. New York: Pantheon, 2004. The Taking of Pelham 123. DVD. Directed by Tony Scott. Culver City, CA: Sony Pictures Home Entertainment, 2009. Navigating the Post-9/11 Metropolis 39 Ulfers, Friedrich. ” In Toward a New Metropolitanism: Reconstituting Public Culture, Urban Citizenship, and the Multicultural Imaginary in New York and Berlin, edited by Günter H. Lenz, Friedrich Ulfers, and Antje Dallmann, 251–60.
The sudden continuity of events and impressions attached to particular places is reassuring and brings a possibility of continuity in the character’s life, which has been abruptly interrupted by the fall of the towers. His return to London grants Hans the view from outside, the wider perspective that is necessary for the remapping to be completed. New York City and London function in the novel as two essential parts of the global metropolis, their reciprocity and interconnectedness visible in the mirror of the Atlantic.