By Kirk Freudenburg
Satire as a different style of writing used to be first constructed by way of the Romans within the moment century BCE. looked by way of them as uniquely 'their own', satire held a unique position within the Roman mind's eye because the one style that may tackle the issues of urban existence from the viewpoint of a 'real Roman'. during this Cambridge better half a world workforce of students offers a stimulating advent to Roman satire's middle practitioners and practices, putting them in the contexts of Greco-Roman literary and political background. along with addressing simple questions of authors, content material, and shape, the quantity seems to the query of what satire 'does' in the international of Greco-Roman social exchanges, and is going directly to deal with the genre's extra improvement, reception, and translation in Elizabethan England and past. incorporated are experiences of the prosimetric, 'Menippean' satires that may develop into the versions of Rabelais, Erasmus, extra, and (narrative satire's crowning jewel) rapid.
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Extra resources for The Cambridge Companion to Roman Satire
Satirists use the metaphor of food to make a metatheatrical point. With it they expose a gap between what they say is true and our ability to validate it as the simple truth. This is where I see much of the work of this volume coming together. Not that we all agree among ourselves on most or every point. But we all concede that satire’s act plays much bigger than its script. 30 Cambridge Companions Online © Cambridge University Press, 2006 1 FRANCES MUECKE Rome’s ﬁrst “satirists”: themes and genre in Ennius and Lucilius Among the many intriguing aspects of Roman verse satire is the fact that it was such an early creation.
Fragment 1145–51W, cited below, which depicts “people and senators alike” indiscriminately as shady characters, well illustrates Lucilius’ freedom from inhibition. 48). Compared with the original extent of their works the earliest satirists’ remains are few and fragmentary. Of Ennius’ satires (that is, a collection conventionally called Saturae – an individual book may originally have been a single satura, “m´elange,” “medley”) we have only isolated lines (thirty-one in ROL). g. book 3) are such as to show that a book contained separate poems in differing meters.
And that is largely the truth of the matter. And yet, in making these claims, we should take a moment to appreciate the irony that inheres in our making them: by claiming to have invented our own forms and practices of satire, and to ﬁnd ourselves in 53 See Bakhtin (1984). 23 Cambridge Companions Online © Cambridge University Press, 2006 kirk freudenburg them, independent of the larger traditions to which satire belongs, we end up repeating claims that have been made for many centuries, even by the Romans themselves.