Download Sonic Warfare: Sound, Affect, and the Ecology of Fear by Steve Goodman PDF

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By Steve Goodman

Sound could be deployed to provide pain, show a probability, or create an environment of worry or dread—to produce a nasty vibe. Sonic guns of this type contain the "psychoacoustic correction" geared toward Panama strongman Manuel Noriega by means of the U.S. military and on the department Davidians in Waco by way of the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellents used opposed to children in department stores. even as, artists and musicians generate excessive frequencies within the look for new aesthetic stories and new methods of mobilizing our bodies in rhythm. In Sonic Warfare, Steve Goodman explores those makes use of of acoustic strength and the way they have an effect on populations.

such a lot theoretical discussions of sound and track cultures in dating to energy, Goodman argues, have a lacking measurement: the politics of frequency. Goodman offers this via drawing a speculative diagram of sonic forces, investigating the deployment of sound structures within the modulation of have an effect on. Traversing philosophy, technological know-how, fiction, aesthetics, and pop culture, he maps a (dis)continuum of vibrational strength, encompassing police and army examine into acoustic technique of crowd regulate, the company deployment of sonic branding, and the serious sonic encounters of sound paintings and track culture.

Goodman concludes with speculations at the no longer but heard—the proposal of unsound, which pertains to either the peripheries of auditory conception and the unactualized nexus of rhythms and frequencies inside of audible bandwidths.

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Extra info for Sonic Warfare: Sound, Affect, and the Ecology of Fear (Technologies of Lived Abstraction)

Sample text

Recognizable as late capitalist human existence,” what critical urbanist Mike Davis has dubbed the ecology of fear, then analysis of these sensory tactics of affective mobilization and contagion will only become more pressing. The sonic is particularly attuned to examining one strand of this ecology of fear: dread. 2001: What Is Sonic Warfare? Sonic experience will be placed in the context of a resonant cosmos that cuts across the duality of physical and emotional processes. The point of constructing this ontology of vibrational force is not to naturalize cultural phenomena in order to deny any possible tactical intervention, nor to suggest nature as a force of spontaneous vitality and therefore emancipatory power.

The body of sonic warfare is therefore always a speculative question, which does not return home to a pregiven human, corporeal demarcation. The episodic history of sonic warfare’s perceptual assemblages can therefore equally be found in electronic and electromagnetic cartography, the distributed nervous system of technical sensors that feed it, and the flood of information these systems produce. In the cybernetic phase of martial evolution, which emerged out of the detritus of World War II, turning this data flood into workable knowledge became as important as the efficiency and accuracy of weapons systems.

However, from early on, Chinese thinkers believed that they could detect in warfare’s unfolding a purely internal necessity that could be logically foreseen and, accordingly, perfectly managed. . ” Rather than moral concerns, it was efficacy, and the preparation for a future configuration of events through predetermining them as much as possible, that provided the basis for the strategic importance of nonconfrontation. Julien draws attention to the concept of shi, or “potential born of disposition,” as the engine of such strategic notions.

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