By Maureen Corrigan
The "Fresh Air" ebook critic investigates the long-lasting strength of the good Gatsby — "The nice American Novel all of us imagine we've learn, yet relatively haven't."
Conceived approximately a century in the past by way of a guy who died believing himself a failure, it's now a respected vintage and a ceremony of passage within the examining lives of hundreds of thousands. yet how good will we rather be aware of The nice Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, issues out, whereas Fitzgerald's masterpiece will be probably the most well known novels in the USA, many people first learn it after we have been too younger to completely understand its energy.
Offering a clean viewpoint on what makes Gatsby great-and completely unusual-So We learn On takes us into records, highschool study rooms, or even out onto the ny Sound to discover the novel's hidden depths, a trip whose revelations contain Gatsby's staggering debt to hard-boiled crime fiction, its rocky route to acceptance as a "classic," and its profound commentaries at the nationwide topics of race, category, and gender.
With rigor, wit, and infectious enthusiasm, Corrigan evokes us to re-experience the greatness of Gatsby and cuts to the guts of why we're, as a tradition, "borne again ceaselessly" into its thrall. alongside the best way, she spins a brand new and interesting tale of her personal.
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Additional info for So We Read On: How The Great Gatsby Came to Be and Why It Endures
6 An in-depth reflection would lie beyond the scope of this book, but a few points should be addressed here. indd 15 9/16/11 3:03:36 PM Urban Chroniclers in Modern Latin America | 16 changes that accompanied modernity provoked in them a deep malaise. 7 In the particular case of the modernistas, this unease reflected that modernity was an ambitious project more than an attainable reality, and that it often heightened existing inequalities not only within Latin America but also between Latin America and metropolitan centers such as Paris and New York.
New technologies responded to the city’s expansion. 10 As a result of the country’s solid economic growth, more people began to participate in diverse aspects of the urban economy. New restaurants and cafés were opening, as were theaters, cabarets, and cinemas. Leisure sports, such as soccer, boxing, and golf, were also becoming increasingly fashionable among a population interested in keeping up with European and North American trends. Another sign of change in Buenos Aires came with the multiplication of newspapers and magazines published on a broad scale.
He or she must be willing to comment on the unexpected with originality and speed. This vulnerability extends to the contested space of the chronicle in cultural production. As Brazilian critic Antonio Cândido has noted, the chronicle “fica perto de nos”; it remains close to us, its readers (A crônica, 13). Near the streets and daily life, the chronicle remains open to philosophical and political discourses, serving as a liaison between erudite ideas and a diverse public when it isn’t simply aiming to amuse.