By Elaine Cheasley Paterson, Susan Surette
Sloppy Craft: Postdisciplinarity and the Crafts brings jointly best overseas artists and critics to discover the chances and boundaries of the assumption of 'sloppy craft' – craft that's messy or unfinished taking a look in its execution or visual appeal, or either. The members tackle 'sloppiness' in modern paintings and craft practices together with portray, weaving, stitching and ceramics, think about the significance of conventional techniques of ability, and the results of sloppiness for a brand new twenty first century emphasis on inter- and postdisciplinarity, in addition to for activist, functionality, queer and Aboriginal practices.
In addition to severe essays, the publication encompasses a 'conversation' part during which modern artists and practitioners speak about demanding situations and possibilities of 'sloppy craft' of their perform and educating, and an afterword by way of Glenn Adamson.
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Extra info for Sloppy Craft: Postdisciplinarity and the Crafts
Given this turn, it is worth noting how second wave feminist art strategies may be read as informing much contemporary “performative craft” showcased in exhibitions such as Gestures of Resistance and Hand+Made.
Introduction Elaine C. ” This volume critically explores and analyzes the post/interdisciplinary implications of “sloppy craft” within a twenty-first-century context where the future of craft practice is, once again, at a crossroads. The following collection of essays is the first scholarly project to bring together an international selection of artists, historians, theorists, and educators to clarify the possibilities and limitations of the idea and practice of sloppy craft within an increasingly interdisciplinary (or even postdisciplinary) contemporary art and craft environment.
Ironically, urban professional crafters and artists alike have now started to develop a “rather breathless enthusiasm” for a sloppy craft aesthetic. ). Situating sloppy craft within this context of contemporary North American Aboriginal art, Kalbfleisch focuses on the relationship between postdisciplinary craft and performance in the work of “current art world star” Swampy Cree multimedia artist Kent Monkman (b. 1965). indd 15 01/05/2015 14:54 16 SLOPPY CRAFT contextualizing this relationship by looking to a history of Aboriginal craft demonstrators (Pueblo potter Maria Martinez and Abenaki basket weaver Anna Panadis) underpins Kalbfleisch’s effort to test the limits, and the potential, of the discourse emerging around sloppy craft.