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By Berel Lang

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The foriner is a feature of the writing which in this case, it seeIllS, differs froill what emerges in the writing. How such discrepancy is to be interpreted is a separate issue, however, froin the fact that the author's point of view on his subject lnatter, on his own work, and finally, on his audience is firmly lodged in his written words, even if those words say nothing explicitly about any of theIne It will be evident, furthern1ore, how traditionally philosophical in character the iInplied assertions thus ascribed to the expository style are; they include clain1s about both human nature and the reality of which that nature is a part-claims which, if they were expressed more overtly, would certainly not go without saying and which may, in the event, not go even with the saying.

For a general analysis of the concept of point of view, cf. below, ch. , e. , J. : University of North Carolina Press, 1965), and D. Simpson, "Putting One's House in Order: The Career of the Self in Descartes' Method," New Literary History 9 (1977): 83-102. 9. Cf. J. " Philosophical Review 71 (1962): 3-32. 10. Cf. W. : Johns Hopkins Press, 1978); L. , "The Fictive Reader and Literary Self-Reflexiveness," in P. Demetz, TOWARD A POETICS OF PHILOSOPHICAL DISCOURSE 45 T. Greene, L. : Yale University Press, 1968); T.

Also H. : Northwestern University Press, 1969) for an opposed view of the relation between Aristotelian and postPrincipia logic. 17. Cf. W. V. T. Press, 1964), esp. ch. 2; also N. : University of Notre Dallle Press, 1956); "The Status of Style," Critical Inquiry 1 (1975): 799-811. 18. , B. Croce, Aesthetic, trans. D. 36. 46 PHILOSOPHY AND THE ART OF WRITING 19. C. Brooks, The Well-Wrought Urn (New York: Reynal and Hitchcock, 1947). Cf. also J. : University of North Carolina Press, 1946) and L. W.

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