By Thomas A. Schmitz(auth.)
This booklet offers scholars and students of classical literature with a pragmatic advisor to fashionable literary concept and feedback. utilizing a transparent and concise strategy, it navigates readers via numerous theoretical methods, together with Russian Formalism, structuralism, deconstruction, gender experiences, and New Historicism.
- Applies theoretical techniques to examples from old literature
- Extensive bibliographies and index make it a worthwhile source for students within the box
Chapter 1 Russian Formalism (pages 17–25):
Chapter 2 Structuralism (pages 26–42):
Chapter three Narratology (pages 43–62):
Chapter four Mikhail Bakhtin (pages 63–76):
Chapter five Intertextuality (pages 77–85):
Chapter 6 Reader?Response feedback (pages 86–97):
Chapter 7 Orality ? Literacy (pages 98–112):
Chapter eight Deconstruction (pages 113–139):
Chapter nine Michel Foucault and Discourse research (pages 140–158):
Chapter 10 New Historicism (pages 159–175):
Chapter eleven Feminist Approaches/Gender reviews (pages 176–194):
Chapter 12 Psychoanalytic techniques (pages 195–204):
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Additional resources for Modern Literary Theory and Ancient Texts: An Introduction
But it is not only our everyday perception that has a tendency to become automatic and insipid; the same can happen to artistic devices. Think of linear perspective: when this technique was first developed by artists at the beginning of the early modern period, it must have been an unfamiliar and shocking experience for those who first viewed it; it must have unsettled their expectations of what a painting should be like. But after some period of time, people began to get used to this new form of presentation.
Communication is called metalingual when it is primarily concerned with its own code: this is the case in a scholarly paper about the English language, but it also occurs in everyday situations, when we have to come to an understanding of what certain terms may or may not mean. ” or when we try to ascertain if our interlocutor has understood what we are saying. Certain forms of communication could be said to be predominantly phatic – when I greet somebody by saying “good morning,” this is neither a magical or religious incantation nor an order, but it is merely a means of establishing contact and beginning a communication.
Later, we will see some examples of such extralinguistic systems. It was precisely this possibility of applying Saussure’s methodology to other systems that was one of the reasons for the enormous influence of structuralist thought on such diverse fields as anthropology or literary criticism. This science of systems of signs in general is often called “semiotics,” a term coined by the American philosopher Charles Sanders Peirce (1839–1914). In the following pages, I will occasionally take my examples from sign systems other than the human language to illustrate aspects of structuralism; this will also demonstrate the universal applicability of structuralist concepts.