By Luisa Valentin
Kann Liebe die Schatten der Vergangenheit überwinden?
Daniel Lester ist sehr attraktiv – und sehr unglücklich. Bei einem tragischen Bootsunfall hat er seine Ehefrau verloren, die er einfach nicht vergessen kann und will. Weil seine Familie ihm zunehmend auf die Nerven geht, engagiert er eine Schauspielerin, die ihn zu der mehrtägigen G eburtstagsfeier seines Onkels begleiten und sich als seine Verlobte ausgeben soll. Marla ist in einer glücklichen Beziehung, doch sie braucht das Geld, das sie für das Engagement bekommen wird, sehr dringend.
Unerwartet verspüren beide eine Anziehung, der sie sich bald nicht mehr entziehen können – und so beginnt ein Spiel mit dem Feuer, das sie beide eigentlich nicht wollen …
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Additional resources for Jede letzte Nacht mit dir: Roman
Matt returned with a large MacBook from the room he was sleeping in while on vacation. 'Thank you," said Paul smiling. " "You're the guest here," said Matt, and Paul gingerly asked if he "by chance" had an iPod cord, sensing he would enjoy further indulging an appreciative subject with his gratuitous helpfulness. Paul accepted Matt's iPod cord with a sensation, he felt, of daintiness, which remained as he transferred mostly pop-punk songs from Matt's MacBook to his iPod nano. , in his room, Paul bit a piece of a l 50mg Seroquel and listened to songs he hadn't heard since high school, mostly the EP Look Forward to Failure by the Ataris.
They seemed to be watching a foreign movie off her computer, then Paul noticed the light was on and that they were lying against a mound of blankets kissing lazily, with eyes closed and long pauses, maybe sometimes asleep. Paul became aware of his mix CD, of some of his favorite songs, sounding unpleasantly, almost nightmarishly noise-like. Paul realized they were trying to undo his belt and weakly imagined what would happen if his jeans were removed and heard Laura say "we just met" from what seemed like a nearby, inaccessible distance and wondered if he was asleep, or dreaming, but knew he was awake, because he was moving physically.
Laura was ten feet away, in a throne-like chair, facing Paul, but not looking at him, or anyone, it seemed. Whenever Paul looked or glanced at her she was fidgeting or squirming. " He looked at his hands, and felt his mouth and throat, doing what he was thinking, and felt vaguely confused. Was he instructing his brain? Or was he narrating what he saw and felt? Laura seemed less distracted, but more worried, than before. Paul moved toward her with what felt like a precariously sustained gliding motion and sat against and above her, on the chair's sturdy armrest, in a comically awkward manner he hadn't foreseen and was preparing to reverse, by returning to his seat, when Laura lifted his arm and placed it ungently around her neck-maybe a little disappointed that she had to do it herself-where it remained, independent and heavy as a small boa constrictor, for a vague amount of time, during which Paul, remaining almost completely still, felt increasingly reluctant to move, or speak.