By Milton Glaser
Read or Download In Search of the Miraculous: Or, One Thing Leads to Another PDF
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Extra resources for In Search of the Miraculous: Or, One Thing Leads to Another
What amazes me now is how similar the spirit of the sketch and the final interior turned out to be. 25 26 32 The wall includes a pattern originally developed as a rug with color variations . 27 33 I simplified it for use in the space  and applied the dots to metal panels . 28 29 34 I finally used it as a graphic module for the 10- by 18-foot bar 35 , the central element of the theater’s interior. 30 36 The dot pattern reads as a visual metaphor for a glowing light. The “conversation” between the real reflections created by the gold-leaf light fixture and the highly polished, curved metal panels is the most interesting aspect of the bar.
Portrait 46 Pattern 53 Combination 54 I used the same pattern to create the Number 4 for an English marketing company . The number itself comes from an alphabet I had designed many years earlier called Glaser Stencil . 47 48 56 Incidentally, Shakespeare seems never to be depicted in profile. The portrait combines with a pattern to create this result . Portrait 49 Pattern 57 Combination 58 A classical drawing combined with a cross-hatched texture becomes more interesting . Portrait 50 Pattern 59 Combination 60 A very coy Shakespeare combined with these flowers is even more coy .
The demolition had revealed a series of dramatic concrete forms, which we decided not to change . The furnished interior has a serpentine steel wall with a powder-coated finish that defines the space. What amazes me now is how similar the spirit of the sketch and the final interior turned out to be. 25 26 32 The wall includes a pattern originally developed as a rug with color variations . 27 33 I simplified it for use in the space  and applied the dots to metal panels . 28 29 34 I finally used it as a graphic module for the 10- by 18-foot bar 35 , the central element of the theater’s interior.