By Valerie Steele
The Encyclopedia of garments and model is the manufactured from a brand new, multidisciplinary box of inquiry and a rare foreign collaboration. The rising box of style reviews, occasionally referred to as the “new” style background, differs considerably from conventional costume background, which tended to target the stylistic research of elite models. against this, modern model experiences asks new questions, methods a wider diversity of themes, and attracts at the services of students around the disciplines.
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Extra resources for Encyclopedia of Clothing and Fashion. 3-Volume Set
Archaeological evidence from known slave sites sometimes includes cowries, seashells of economic importance before currencies became available in Africa and apparently worn as jewelry by the enslaved. The beads most often found at these sites consist of blue glass beads, worn as amulets in much of Africa and the Middle East. Former slaves provided testimony of wearing jewelry for both adornment and protection. Several Sea Islands narrators, for instance, describe single gold, loop earrings worn to protect the eyesight, retention of an African belief.
European perfumes and scents can be purchased throughout Africa, but prohibitive prices preclude wide usage. Instead, indigenous products are available and used, as in the case of Muslim women who stand over incense burners to scent their clothing with the fragrant smoke. Africans display many kinds of jewelry. ” Necklaces vary in size and style, from large to small, fashioned from metals, beads, shells, chains, and medallions. Some bracelets and anklets are modest in size, circling only the wrist and ankle with metal or beads.
Vol. 2. East Lansing: African Studies Center, Michigan State University, 1985. Rabine, Leslie W. The Global Circulation of African Fashion. Oxford: Berg, 2002. Sieber, Roy. African Textiles and Decorative Arts. New York: Museum of Modern Art, 1972. E N C Y C L O P E D I A O F C L O T H I N G A N D F A S H I O N AFRO HAIRSTYLE van der Plas, Els, and Willemsen Marlous. The Art of African Fashion. : Africa World Press, 1998. Joanne B. Eicher AFRO HAIRSTYLE At the end of the 1950s, a small number of young black female dancers and jazz singers broke with prevailing black community norms and wore unstraightened hair.