Tintin, Snowy, and Captain Haddock subscribe to Professor Calculus' moon excursion.
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Extra info for Destination Moon (The Adventures of Tintin 16)
They keep two teams of singers in stock for the chief roles, and one of these is composed of the most renowned artists in the world, with Materna and Alvary in the lead. I suppose a double team is necessary; doubtless a single team would die of exhaustion in a week, for all the plays last from 4 in the afternoon till 10 at night. Nearly all the labor falls upon the half dozen head singers, and apparently they are required to furnish all the noise they can for the money. If they feel a soft, whispery, mysterious feeling they are required to open out and let the public know it.
You know that they are being stirred to their profoundest depths; that there are times when they want to rise and wave handkerchiefs and shout their approbation, and times when tears are running down their faces, and it would be a relief to free their pent emotions in sobs or screams; yet you hear not one utterance till the curtain swings together and the closing strains have slowly faded out and died; then the dead rise with one impulse and shake the building with their applause. Every seat is full in the first act; there is not a vacant one in the last.
The first act of the three occupied two hours, and I enjoyed that in spite of the singing. I trust that I know as well as anybody that singing is one of the most entrancing and bewitching and moving and eloquent of all the vehicles invented by man for the conveying of feeling; but it seems to me that the chief virtue in song is melody, air, tune, rhythm, or what you please to call it, and that when this feature is absent what remains is a picture with the color left out. I was not able to detect in the vocal parts of "Parsifal" anything that might with confidence be called rhythm or tune or melody; one person performed at a time--and a long time, too--often in a noble, and always in a high-toned, voice; but he only pulled out long notes, then some short ones, then another long one, then a sharp, quick, peremptory bark or two--and so on and so on; and when he was done you saw that the information which he had conveyed had not compensated for the disturbance.