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Chapter 2 Dissecting the Order of Signs: On the Textual Politics of Dada Poetics Anna Katharina Schaffner In her psychoanalytical study of the political and subversive implications of avant-garde textual practice, La Révolution du langage poétique, Julia Kristeva (1974: 14) claims: “[le texte est] [u]ne pratique que l’on pourrait comparer à celle de la révolution politique: l’une opère pour le sujet ce que l’autre introduit dans la société”. In this essay, the much discussed psychoanalytical dimension of her work will be neglected for the sake of the idea of the inherent politics of form, the notion that the boundaries of the subject and society can be burst open and transformed by means of a specific treatment of the material signifier.

Avant-Garde Utopianism in Dada” in S. Bru and G. Martens (eds). The Invention of La Colombe poignardée 35 Politics in the European Avant-Garde (1906-1940). Amsterdam et New York: Rodopi: 33–150. , Schwitters, Kurt, Tzara, Tristan. 2005. “Manifest Proletkunst” in Merz 2. Repr. in Dachy 2005: 224. Chapter 2 Dissecting the Order of Signs: On the Textual Politics of Dada Poetics Anna Katharina Schaffner In her psychoanalytical study of the political and subversive implications of avant-garde textual practice, La Révolution du langage poétique, Julia Kristeva (1974: 14) claims: “[le texte est] [u]ne pratique que l’on pourrait comparer à celle de la révolution politique: l’une opère pour le sujet ce que l’autre introduit dans la société”.

Schwob, Marcel. 1895. “L’art de la biographie”, préface aux Vies imaginaires. Repr. in Schwob 1920: 119. ——. 1920. Spicilège. Paris: Au Sans Pareil. Starobinsky, Jean. 1971. Les Mots sous les mots. Les anagrammes de Ferdinand de Saussure. Essai. Paris: Gallimard. Chapter 4 Irresponsabilité dadaïste et surréaliste1 Timo Kaitaro Si l’on examine la façon dont à Paris le surréalisme s’est distingué et détaché du dadaïsme, il apparaît que les surréalistes ont été mieux disposés à faire ce que Tzara a refusé au procès de Barrès: “se placer sur le plan social”, s’expliquer et prendre ainsi la responsabilité de ses actes et de ses écrits (Breton 1992: 420–6).

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