By Alison Graham-Bertolini, Casey Kayser
The individuals to this quantity use diversified severe recommendations to spot how Carson McCullers’ writing engages with and reviews smooth social constructions and the way her paintings resonates with a twenty-first century viewers. the gathering contains chapters approximately McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking since it contains the 1st distinctive scholarly exam of recent archival fabric donated to Columbus country collage after the 2013 dying of Dr. Mary Mercer, McCullers’ psychiatrist and pal, together with transcripts of the psychiatric periods that came about among McCullers and Mercer in 1958. extra, the gathering covers the scope of McCullers’ canon of labor, akin to The middle Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the unhappy Café (1943), via lenses which are of becoming curiosity in modern literary reports, together with comparative transatlantic readings, queer conception, incapacity stories, and significant animal conception, between others.
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Extra resources for Carson McCullers in the Twenty-First Century
New York Times 14 Oct. 2009: C1. Print. Isherwood, Charles. ” Rev. of The Heart is a Lonely Hunter, by Rebecca Gilman. New York Theater Workshop, New York. New York Times. New York Times, 4 Dec. 2009. Web. –––. ” Rev. of “Carson McCullers Talks About Love,” by Suzanne Vega. Rattlestick Playwrights Theater, New York City. New York Times. New York Times, 5 May 2011. Web. James, Judith Giblin. Wunderkind: The Reputation of Carson McCullers, 1940–1990. Columbia, SC: Camden House, 1995. Print. Jones, Chris.
KAYSER WORKS CITED Atkinson, Brooks. Rev. of The Member of the Wedding, by Carson McCullers. Empire Theatre, New York. New York Times 6 Jan. 1950: 26. ProQuest. Print. Barnes, Howard. Rev. of The Member of the Wedding, by Carson McCullers. Empire Theatre, New York. New York Herald Tribune 6 Jan. 1950: 12. Print. Bernardo, Melissa Rose. Rev. of The Heart is a Lonely Hunter, by Rebecca Gilman. New York Theater Workshop, New York. Entertainment Weekly. Entertainment Weekly, 4 Dec. 2009. Web. Bockley, Seth and Gabriel Kahane.
Delaney reads McCullers’ opening about the friendship between the two mutes, John Singer and Antonapoulos, Jo’s voice joins hers, explaining, “In school there was one of my kind. I was always alone” (13). She recounts life in LaGrange with the same sense of boredom and malaise of Mick Kelly in Heart and Frankie in The Member of the Wedding, characters who, like Jo, do not fit into the strictly prescribed expectations for adolescent girls related to gender and sexuality. She also relates to McCullers’ own ambivalent expressions of sexuality throughout her life, rebelling against the school’s uniform policy, which requires that girls wear skirts until the cold of mid-January, by wearing pants and racking up pink slips until the school finally relents and allows the girls to wear pants regardless of weather.