Download Basics: Architecture and Dynamics by Franziska Ullmann PDF

By Franziska Ullmann

What parts represent area? What s a solitaire and what makes a solitaire a monument? Why is a construction profane and what makes an area a sacred area? Why appear Zaha Hadid s constructions to be dynamic structures? those and plenty of different matters are addressed in "Basics". In a right away war of words of textual content and images of overseas constructions, that means and impression of simple architectural parts are studied either discretely and inside compounds ranging from Wassily Kandinsky s visible arts comparable research "Point and Line to Plane". Transferred on common and synthetic gadgets, the impression of those parts isn't really based mostly at the exterior visual appeal yet quite at the rigidity inherent to types. therefore, the second version of this regular e-book is now on hand in English. it's been revised and a foreword by way of structure theorist Otto Kapfinger further.

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Extra resources for Basics: Architecture and Dynamics

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It only takes two similar point-elements recognized as signs to produce a tension that a viewer will interpret as a relationship. Tensions can arise between real objects as well as between imaginary points and imaginary vertical axes. Paul Klee’s definition confirms that a point in a state of tension in respect to a second point will generate a line. This phenomenon plays an important role in our perception and gives rise to imaginary lines. tension The arrangement of imaginary axes can be applied as a system of ordering and reference in architecture and urban planning.

These round piers are set in from the edge on two sides and interrupt the continuity of the building’s façade. This positioning allows for the continuous ribbon window on the first floor. On the other two sides pilotis are set flush with the outer edge and become part of the first-floor façade. The arrangement of these piers around the building produces a filtering boundary. The area beneath the first floor is created by that floor’s downward projection to the ground. Thus beneath the house a spatial field of tension is defined which is reinforced on the base plane by differentiating the covered surface from the outer grassy surface.

The center of the dome and the lantern on top define an imaginary vertical axis. If the building complex is freestanding but not clearly identifiable, as with Berlin’s Museum Island, vertical emphasis can be used to articulate corner or end points. Depending on the direction of approach, the vertical axis also makes reference to the division of the waterway. The cupola holding space reinforces the position of the building at the junction. pivot point For the dynamics and the flow of movement in the city, these vertical information indicators are very important as a turning or pivot point.

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