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DESIGNING MATERIAL EXPERIENCE We ended the first section with the main question driving this chapter: can we design a material experience? If the experience we aim for can rely on universal patterns, it is obvious we can. For example, it is safe to predict that everyone will perceive the lightweight VANMOOF bike as flexible and its smooth surface as relatively clean. These qualities will probably even hold when we change the context, and apply the same material properties in the design of another product, such as a baby stroller.

The relative importance of sensory modalities in product usage: a study of self-reports. Acta Psychologica 121, 41e64. , 2011. Multi sensory design. , Markopoulos, P. ), ACM Proceedings of the DESIRE’11 Conference e Creativity and Innovation in Design. Technical University, Eindhoven, The Netherlands, pp. 361e362. , 2005. Capturing product experiences: a split-modality approach. Acta Psychologica 118, 293e318. , 2007. The effect of sensory impairments on product experience and personal well-being.

Material Architecture: Emergent Materials for Innovative Buildings and Ecological Construction. Architectural Press, Amsterdam. , 1997. Understanding Aesthetics for the Merchandising and Design Professional. Fairchild, New York. , 1993. What in the world do we hear? An ecological approach to auditory event perception. Ecological Psychology 5, 1e29. , 2003. ‘Most advanced, yet acceptable’: typicality and novelty as joint predictors of aesthetic preference in industrial design. British Journal of Psychology 94, 111e124.

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