Download Always Already New: Media, History, and the Data of Culture by Lisa Gitelman PDF

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By Lisa Gitelman

Choice extraordinary educational identify, 2007.

In Always Already New, Lisa Gitelman explores the novelty of recent media whereas she asks what it skill to do media historical past. utilizing the examples of early recorded sound and electronic networks, Gitelman demanding situations readers to consider the ways in which media paintings because the simultaneous topics and tools of ancient inquiry. featuring unique case reviews of Edison's first phonographs and the Pentagon's first disbursed electronic community, the ARPANET, Gitelman issues suggestively towards similarities that underlie the cultural definition of documents (phonographic and never) on the finish of the 19th century and the definition of files (digital and never) on the finish of the 20 th. hence, Always Already New speaks to provide issues in regards to the humanities up to to the emergent box of latest media stories. files and records are kernels of humanistic idea, after all—part of and social gathering to the cultural impulse to maintain and interpret. Gitelman's argument indicates artistic contexts for "humanities computing" whereas additionally providing a brand new viewpoint on such conventional humanities disciplines as literary history.

Making wide use of archival resources, Gitelman describes the ways that recorded sound and digitally networked textual content every one emerged as neighborhood anomalies that have been but deeply embedded in the reigning good judgment of public existence and public reminiscence. finally Gitelman turns to the area large net and asks how the background of the internet is already being informed, how the net may additionally face up to heritage, and the way utilizing the net could be generating the stipulations of its personal historicity.

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Extra info for Always Already New: Media, History, and the Data of Culture

Sample text

He had just sold his Redpath Lyceum Bureau, and came to the phonograph company with a name for exploiting “merit” rather than what his biographer later dismissed as “mere newspaper reputation” (Horner 1926, 227, 185). The distinction was a blurry one throughout the ensuing months of phonograph exhibitions. Like so much entertainment then and now, phonograph exhibitors capitalized on novelty. 19 The Edison Speaking Phonograph Company functioned by granting regional demonstration rights to exhibitors.

Like so much entertainment then and now, phonograph exhibitors capitalized on novelty. 19 The Edison Speaking Phonograph Company functioned by granting regional demonstration rights to exhibitors. Individuals purchased the right to exhibit a phonograph within a protected territory. They were trained to use the machine, which required a certain knack, and agreed to pay the company twenty-five percent of their gross receipts. This was less of a lecture circuit, then, than it was a bureaucratic one.

Digital media inscribe too, and they do so in what are mysterious new ways. ) I see words written on my computer screen, for instance, and I know its operating system and other programs have been written by programmers, but the only related inscriptions of which I can be fully confident are the ones that come rolling out of the attached printer, and possibly the ones that I am told were literally printed onto chips that have been installed somewhere inside. At least inscriptions like printer output and microprocessor circuits share the properties of tangibility, portability, and immutability.

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