By Katie Wales
During the last ten years there were extraordinary advances in stylistics. those have given upward push to new phrases and to revised contemplating techniques and re-definitions of phrases. A Dictionary of Stylistics, second version comprises over six hundred alphabeticlly indexed entries: absolutely revised because the first and moment variants, it includes many new entries.
Drawing fabric from stylistics and quite a number similar disciplines similar to sociolinguistics, cognitive linguistics and conventional rhetoric, the revised 3rd variation presents a worthwhile reference paintings for college students and lecturers of stylistics, in addition to severe discourse research and literary feedback. even as it presents a normal photo of the character, insights and methodologies of stylistics. in addition to explaining terminology basically and concisely, this version includes a topic index for extra ease of use.
With quite a few quotations; motives for plenty of uncomplicated phrases from grammar and rhetoric; and a complete bibliography, this can be a special reference paintings and instruction manual for stylistic and textual research. scholars and lecturers at secondary and tertiary degrees of English language and literature or English as a overseas or moment language, and of linguistics, will locate it a useful resource of knowledge.
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Additional info for A Dictionary of Stylistics
Othello: Think, my lord! By heaven, thou echo’st me As if there were some monster in thy thought Too hideous to be shown. Thou dost mean something . . ■ analepsis One of a pair of terms coined by Gérard Genette (1972) to refer to the break in the telling of a story for a ‘flashback’ or retrospective narration (v. e. prolepsis). Such disruptions of normal (chronological) ordering he calls generally anachronies. g. Virginia Woolf ’s Mrs Dalloway). e. in the apparent ‘middle’ of a story. An alternative name from traditional rhetoric would appear to be anamnesis (Gk ‘remind’).
2) By further extension the term could be applied to the radical linguistic deviation and neologism which characterize many modern so-called antinovels like James Joyce’s Finnegans Wake, for whom reader ‘initiates’ are few. (3) Moreover, by a kind of metaphoric extension, it is possible, as Halliday himself has argued, to apply the term to the language of all novels, and of all literature. ) ■ antimetabole See chiasmus. ■ antistrophe (1) In Greek drama antistrophe (Gk ‘turning about’) seems originally to have referred to the returning movement of the Chorus, and then extended to the 24 ANTONOMASIA verses sung simultaneously.
Crashing-cheats (‘teeth’); smelling-cheats (‘nose’); queer-ken (‘prison’), etc. The term today can be applied to the vocabularies on internet websites for virtual anti-societies. (2) By further extension the term could be applied to the radical linguistic deviation and neologism which characterize many modern so-called antinovels like James Joyce’s Finnegans Wake, for whom reader ‘initiates’ are few. (3) Moreover, by a kind of metaphoric extension, it is possible, as Halliday himself has argued, to apply the term to the language of all novels, and of all literature.